On Saturday, the Cannes Film Festival will travel back to the future when Christopher Nolan presents a 50th anniversary screening of Stanley Kubrick‘s sci-fi classic, 2001: A Space Odyssey. Like Kubrick, who passed away in 1999, Nolan is a vocal proponent for the supremacy of the analog cinematic experience, and intends for 2018 audiences to watch 2001 in the same way their 1968 predecessors did. Hence, the 70 mm print that will play at Cannes — followed by a theatrical rollout on May 18 — is largely free of any digital restoration, instead produced by printing elements from the original camera negative.
Still, there’s one part of the 1968 viewing experience that Nolan can’t duplicate for modern audiences. When 2001 first played for premiere audiences that April, the film was roughly 20 minutes longer than the one that subsequently went into wide release. The baffled reaction of those first moviegoers, as well as the studio, sent Kubrick back to the editing room to excise 17 minutes of footage. And unlike some filmmakers, he wasn’t concerned when it came to the film that ended up on the cutting-room floor. “Once he released a movie, that was it,” longtime Kubrick colleague — and subject of Tony Zierra’s new documentary Filmworker — Leon Vitali reveals to Yahoo Entertainment. “There’s a place in London where all the city’s refuse is taken, and I remember taking van loads of outtakes and stuff that was never used and burning them, because he did not want any of his old material.”
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The death of the HAL 9000 computer is one of the most famous scenes from 2001. (Photo: Courtesy Everett Collection)